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Old June 23rd, 2009, 01:40 PM   #81
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At the moment all my time reading is taken up with car brochures as I need a new work car! God they are rubbish who the hell writes these things (oh hang on, people like me)
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Old June 23rd, 2009, 02:35 PM   #82
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Default Agatha Christie 1920s Omnibus

No question about it, I'm slumming.

The book presents four 1920s Christie novels featuring neither Poirot nor Miss Marple, in an attempt to show that there was more to her than just these two characters. The novels are:
The Secret Adversary (1922)
The Man In The Brown Suit (1924)
The Secret of Chimneys (1925)
The Seven Dials Mystery (1929)
Is there more to Ms Christie? Well, yes, but not all that much.

Her social snobbery and elitist attitudes preclude the idea that anyone who isn't at least from the English minor gentry could be more than a minor, highly stereotyped extra in the drama. Her plots are, more often than not, flimsy and implausible, pivoting brazenly on the weakest of coincidences. Only rarely do her characters achieve slightly more than 2 dimensions and become interesting. Her sycophantic love of the English upper classes shines through over and over again and tests any modern reader's patience.

However: there are good things lurking in these books.

The Secret Adversary is a triumph of style over content but thoroughly readable (Christie is seldom boring) and the two lead characters, older versions of boys and gels found in the pages of Enid Blyton books, still manage to be sympathetic in their struggle to track down the villain, avoid being eliminated and earn some cash because they're flat broke. Their mutual struggle to admit to themselve and to each other that they are in love has a certain comic value and Christie relieves the flimsiness of her plot slightly with her ironic authorial voice:'Tommy' Beresford is following a suspect in the usual private detective tradition.

Though familiar with the technicalities from a course of novel reading, he had never before attempted to follow anyone and it appeared to him at once that, in actual practice, the proceeding was fraught with difficulties. Supposing, for instance, that they should suddenly hail a taxi? In books, you simply leapt into another, promised the driver a sovereign - or its modern equivalent - and there you were. In actual fact, Tommy foresaw that it was extremely likely that there would be no second taxi...

The Man In The Brown Suit depicts the strange events which befall the heroine from the moment when she sees a death on a railway platform where a man falls to his death under a train in his desperation to get away from a man wearing a brown suit. Trouble is, even though this brown suited fellow cannot possibly be The Man From The Prudential Insurance Company, judging by the victim's eagerness to be somewhere else, she definitely likes the look of him. Oh yes.

The mystery is establishing what the strange scene at the railway station was all about, and it soon becomes apparent that the heroine is putting her nose where it isn't wanted...

IMO this one is the best of the four. It doesn't use clunky plot devices nearly as much, so the action has more credibility; it leaves plenty of room for moral ambivalence; it tacitly admits that the heroine likes bad boys; the characters have their context in a world where people pay their own way and are not mere bored spoilt aristos looking for something to do.

The last two are cardboard dramas, both vehicles for Lady Eileen Brent, aristocratic flapper as sleuth. Their best feature is the rather sinister policeman, Superintendent Battle, a man who doesn't trust appearances and doesn't think conventionally and is a natural risk-taker. I also forgive these books because, years before she made her name as Lily Langtree, the actress Francesca Annis was really sexy as Eileen Brent in a very unadventurous BBC 1920s period serialisation on Christies's several Eileen Brent novels and I was just old enough to recognise this. The series was repeated on ITV3, graveyard of the cops and robbers shows, a couple of years ago, and it was nice to be reminded how good (and how attractive) Francesca Annis was, back in the day.

As for the books as books, they are readable and enjoyable but have no substance, except for an occasional subversive and semi-fascist appearance by Superintendent Battle, whose covert contempt for weakness and for cowardly and narrow minded respectability sits at odds with his vocation (it is a real vocation) to be a police detective.

Its like I said. I'm slumming.
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Old June 28th, 2009, 08:34 AM   #83
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Pan Book of Horror Stories Vol 8


I've just started re-reading this, there's some great tales including - The Assassin (Raymond Williams), The Children (W. Baker-Evans), The Illustrated Man (Ray Bradbury) and one of my all time favourites The Janissaries of Emilion by Basil Copper.

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Old June 29th, 2009, 02:00 AM   #84
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Default Shakey - Neil Young's Biography



I personally discovered Neil Young's 'After the Goldrush' album in my early teens. This began a lifelong love of much of his music. I say 'much of' because he has been so prolific and perversely diverse, it's challenging to admire all of his catalogue.
Although initially I had a love/hate relationship with many of his songs, as a thirteen year old, he was radically different from anything else in my small but rapidly growing music collection. My first manuscript book was 'Complete Vol 1'. Here I discovered the wonders of 'Drop D-tuning'.

Forgive me if I digress. Jimmy McDonough spent six years virtually living with this reclusive performer while he wrote this, compiling stories and anecdotes from those who knew him and the man himself. I find the style of narrative very relaxed and natural.
I keep a copy on my bedside table, for nights when I can't sleep, and have read it cover to cover a few times.
It's innarestin' when you find rare bootlegs such as 'Chrome Dreams', to read the stories behind each song, even on unreleased material.
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Old June 29th, 2009, 10:08 AM   #85
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My first car when I was 17 was an 1100 (it was shite)

I have just started working my way through the Morse novels by Colin Dexter (again) they are the kind of books I return to periodicaly.
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Old July 1st, 2009, 05:02 AM   #86
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The Day Of The Triffids by John Wyndham. An apocalyptic sci fi classic in my not so humble opinion....
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Old July 2nd, 2009, 06:25 PM   #87
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I'm re-reading Michael Herr's Dispatches, about his time as a war correspondent in Vietnam,if you look on page 149 you will find the original Mal Hombre
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Old July 2nd, 2009, 10:12 PM   #88
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The BBC did a very decent TV series adaptation of the book in the early 80s. It had such an apocalyptic feel that not only reflected the book but also the scary times where nuclear war was a far from distant possibility between East and West...
In no way whatsoever should anyone subject themselves to the execrable 1953 film however with Howard Keel. A total travesty all round. The triffids looked like Dandelions on wheelchairs...

Anyway, back to the books and on the same sci fi vein the collected short stories of Philip K Dick. One of the most imaginiative writers ever and inspiration for many a film: Total Recall, Bladerunner etc...
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Old July 2nd, 2009, 10:28 PM   #89
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The BBC have remade The Day of the Triffids, probably for screening in the Autumn. I like to see more SF on our screens but I'd rather they adapted a neglected classic - John Christopher's The Death of Grass or Charles Eric Maine's The Darkest of Nights. They're equally post-apocalypic fun.

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Old July 2nd, 2009, 10:34 PM   #90
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Barrington J Bayley died last year - he was part of the UK New Wave along with Moorcock, Ballard, Aldiss etc. I would really recommend his books to everyone, particularly his short stories which are compiled in two volumes - The Seed of Evil and The Knights of the Limits. Inventive and challenging reading, Bayley often crammed with more ideas on one page than many writers manage in a lifetime.

RIP, Mr Bayley.
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