What are you listening to at the moment? One Post Per hour - Page 3696

**-Wizz-** · December 15th, 2017, 01:40 PM

Non stop Christmas album compilation
The Salsoul Orchestra

https://www.youtube.com/watch?v=JL6c9frG5ok

**-Wizz-** · December 15th, 2017, 01:43 PM

Dean Martin & Frank Sinatra Christmas hits

https://www.youtube.com/watch?v=auYWhqM-he8

**wimbo77** · December 15th, 2017, 09:15 PM

Boards Of Canada - Cold Earth

https://www.youtube.com/watch?v=mLgUnFI7UjI

**rotobott** · December 15th, 2017, 09:42 PM

The Cranberries - Dreams

**MrLinc** · December 16th, 2017, 12:57 AM

Chicago - Hard to say I'm sorry
https://www.youtube.com/watch?v=Wo9QxYpMbTU

As cheesy as it gets

**Silicone Carne** · December 16th, 2017, 02:37 AM

The Longest Day - Iron Maiden

https://www.youtube.com/watch?v=JDCgvcH301A

**rotobott** · December 16th, 2017, 08:25 AM

Felix - Don't You Want Me

**Devius** · December 16th, 2017, 11:29 AM

David Shire - Night On Disco Mountain
https://www.youtube.com/watch?v=8P-5yiAUbg4

Walter Murphy - A Fifth of Beethoven
https://www.youtube.com/watch?v=4MFbn8EbB4k

**tonil** · December 16th, 2017, 07:16 PM

Gwen Guthrie - Ain't Nothin' Goin' On But The Rent (12inch)

**krixxx** · December 16th, 2017, 07:52 PM

https://www.youtube.com/watch?v=thEholdhSmY

Conducted by David Lloyd-Jones with the Royal Scottish National Orchestra.

I. Molto Moderato
II. Andante
III. Poco Largamente

Bax eventually completed his Symphony No. 2 in E minor and C major in 1926, after intermittent work for the previous two years. It was dedicated to Sergey Koussevitzky who, after protracted negotiations with Bax, conducted the first two performances in Boston with the Boston Symphony Orchestra on 13th and 14th December 1929. Eugene Gooseens conducted the first London performance with the Queen's Hall Orchestra on 20th May 1930. The symphony is scored for piccolo doubling flute, two other flutes, two oboes, cor anglais, three clarinets, bass clarinet, two bassoons, double bassoon, four horns, three trumpets, two tenor trombones, bass trombone and tenor and bass tuba. A varied percussion section includes timpani, bass drum, tambourine, cymbals, xylophone, glockenspiel, celesta, piano and two harps. Use is made of the organ and the orchestra is completed by the usual strings.

In a perceptive analysis of the symphony, Lewis Foreman has drawn attention to the four ideas heard in the Molto moderato introductory section to the first movement, motifs that recur, particularly in the first and third movements. The first of these appears, dark-hued, over a bass drum roll, near the beginning of the work. The eighth bar brings a second sombre element, introduced by the cor anglais, clarinet and bassoon. A short but significant motif is heard from the lower strings and tubas, immediately followed by a slightly longer motif from three flutes and muted trumpets. Tension mounts as the music moves forward to the Allegro moderato, with its emphatic opening before the related first subject, announced by the clarinets. The music presses forward as the material is developed. A second subject eventually appears, introduced Poco largamente, followed by flute and solo cello, marked Moderato semplice. The material undergoes further development, with the motifs from the opening emerging from time to time in remarkable orchestral colours, suggesting at times the palette of Richard Strauss in its sonorities. The recapitulation brings back the urgency of the first subject, the slower and more lyrical second subject and interwoven reminiscences of the basic motifs that give the work its unity.

Flutes and harp open the second movement, against which the rising third motif of the introduction to the first movement is heard from cellos and double basses. A lyrical melody is announced by the violins and a transition leads to a second theme in the strings. A dynamic climax is followed by a third element, underpinned by an organ pedal C. A solo violin prefigures the return of the first theme and the hushed closing section of the movement, in a positive B major. There is a short introduction to the last movement. Here the threatening third motif is heard, as in the first theme of the subsequent Allegro feroce. There follows a sinister march-like passage, spurred on by a Mahlerian use of the trumpet, and then a more subdued element, lightly scored, with a melody for bassoons and cellos against an insistent violin rhythm. There is a direct quotation of part of the introduction to the first movement, soon to be followed by the final section of the movement, similar in length to the initial introduction and bringing the symphony to a whispered ending, always in the varied instrumental colours that have marked the whole work.

December 15th, 2017, 01:40 PM	#36951
-Wizz- Vintage Member Join Date: Jul 2014 Location: Montreal,Canada Posts: 4,935 Thanks: 17,363 Thanked 74,772 Times in 5,083 Posts	Non stop Christmas album compilation The Salsoul Orchestra https://www.youtube.com/watch?v=JL6c9frG5ok __________________ Wizz Please PM me if i have some dead links thanks!

December 15th, 2017, 01:43 PM	#36952
-Wizz- Vintage Member Join Date: Jul 2014 Location: Montreal,Canada Posts: 4,935 Thanks: 17,363 Thanked 74,772 Times in 5,083 Posts	Dean Martin & Frank Sinatra Christmas hits https://www.youtube.com/watch?v=auYWhqM-he8 __________________ Wizz Please PM me if i have some dead links thanks!

December 15th, 2017, 09:15 PM	#36953
wimbo77 Veteran Member Join Date: Oct 2015 Posts: 9,115 Thanks: 130,160 Thanked 144,390 Times in 9,160 Posts	Boards Of Canada - Cold Earth https://www.youtube.com/watch?v=mLgUnFI7UjI __________________

December 16th, 2017, 12:57 AM	#36955
MrLinc Vintage Member Join Date: Apr 2011 Location: Nowhere to be found Posts: 629 Thanks: 6,911 Thanked 10,570 Times in 628 Posts	Chicago - Hard to say I'm sorry https://www.youtube.com/watch?v=Wo9QxYpMbTU As cheesy as it gets __________________ Who farted?

December 16th, 2017, 02:37 AM	#36956
Silicone Carne Not fake. Super enhanced. Join Date: Dec 2008 Location: Beyond the Valley of the Dolls...deep in the Land of Smiles. MOD SUPER-HARD. Posts: 52,000 Thanks: 710,507 Thanked 639,872 Times in 52,061 Posts	The Longest Day - Iron Maiden https://www.youtube.com/watch?v=JDCgvcH301A __________________ Love is the name. Sex is the game. Forget the name and play the game. To view links or images in signatures your post count must be 0 or greater. You currently have 0 posts. FANCY FREE PIZZA? CLICK To view links or images in signatures your post count must be 0 or greater. You currently have 0 posts. *"You're Boobiful."* To view links or images in signatures your post count must be 0 or greater. You currently have 0 posts.

December 15th, 2017, 09:42 PM	#36954
rotobott Veteran Member Join Date: Jun 2008 Posts: 32,114 Thanks: 174,813 Thanked 634,743 Times in 31,435 Posts	The Cranberries - Dreams

December 16th, 2017, 08:25 AM	#36957
rotobott Veteran Member Join Date: Jun 2008 Posts: 32,114 Thanks: 174,813 Thanked 634,743 Times in 31,435 Posts	Felix - Don't You Want Me

December 16th, 2017, 11:29 AM	#36958
Devius Veteran Member Join Date: Jun 2007 Location: It's a London Thing.... Posts: 23,533 Thanks: 142,186 Thanked 228,453 Times in 23,565 Posts	David Shire - Night On Disco Mountain https://www.youtube.com/watch?v=8P-5yiAUbg4 Walter Murphy - A Fifth of Beethoven https://www.youtube.com/watch?v=4MFbn8EbB4k __________________ "I've had it with them, I've had it with you, I've had it with ALL THIS - I WANT ROOM SERVICE!* I want the club sandwich, I want the cold Mexican beer, I want a $10,000-a-night hooker!"* Johnny Mnemonic (1995)

December 16th, 2017, 07:16 PM	#36959
tonil Vintage Member Join Date: Jul 2008 Posts: 917 Thanks: 2,375 Thanked 20,188 Times in 912 Posts	Gwen Guthrie - Ain't Nothin' Goin' On But The Rent (12inch)

December 16th, 2017, 07:52 PM	#36960
krixxx no dirt, no lotus Join Date: May 2010 Posts: 26,548 Thanks: 105,240 Thanked 1,931,520 Times in 45,927 Posts	Arnold Bax - Symphony No. 2 (1926) https://www.youtube.com/watch?v=thEholdhSmY Conducted by David Lloyd-Jones with the Royal Scottish National Orchestra. I. Molto Moderato II. Andante III. Poco Largamente Bax eventually completed his Symphony No. 2 in E minor and C major in 1926, after intermittent work for the previous two years. It was dedicated to Sergey Koussevitzky who, after protracted negotiations with Bax, conducted the first two performances in Boston with the Boston Symphony Orchestra on 13th and 14th December 1929. Eugene Gooseens conducted the first London performance with the Queen's Hall Orchestra on 20th May 1930. The symphony is scored for piccolo doubling flute, two other flutes, two oboes, cor anglais, three clarinets, bass clarinet, two bassoons, double bassoon, four horns, three trumpets, two tenor trombones, bass trombone and tenor and bass tuba. A varied percussion section includes timpani, bass drum, tambourine, cymbals, xylophone, glockenspiel, celesta, piano and two harps. Use is made of the organ and the orchestra is completed by the usual strings. In a perceptive analysis of the symphony, Lewis Foreman has drawn attention to the four ideas heard in the Molto moderato introductory section to the first movement, motifs that recur, particularly in the first and third movements. The first of these appears, dark-hued, over a bass drum roll, near the beginning of the work. The eighth bar brings a second sombre element, introduced by the cor anglais, clarinet and bassoon. A short but significant motif is heard from the lower strings and tubas, immediately followed by a slightly longer motif from three flutes and muted trumpets. Tension mounts as the music moves forward to the Allegro moderato, with its emphatic opening before the related first subject, announced by the clarinets. The music presses forward as the material is developed. A second subject eventually appears, introduced Poco largamente, followed by flute and solo cello, marked Moderato semplice. The material undergoes further development, with the motifs from the opening emerging from time to time in remarkable orchestral colours, suggesting at times the palette of Richard Strauss in its sonorities. The recapitulation brings back the urgency of the first subject, the slower and more lyrical second subject and interwoven reminiscences of the basic motifs that give the work its unity. Flutes and harp open the second movement, against which the rising third motif of the introduction to the first movement is heard from cellos and double basses. A lyrical melody is announced by the violins and a transition leads to a second theme in the strings. A dynamic climax is followed by a third element, underpinned by an organ pedal C. A solo violin prefigures the return of the first theme and the hushed closing section of the movement, in a positive B major. There is a short introduction to the last movement. Here the threatening third motif is heard, as in the first theme of the subsequent Allegro feroce. There follows a sinister march-like passage, spurred on by a Mahlerian use of the trumpet, and then a more subdued element, lightly scored, with a melody for bassoons and cellos against an insistent violin rhythm. There is a direct quotation of part of the introduction to the first movement, soon to be followed by the final section of the movement, similar in length to the initial introduction and bringing the symphony to a whispered ending, always in the varied instrumental colours that have marked the whole work.