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September 5th, 2014, 04:14 AM | #23361 |
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A haunting track from the abstract sci-fi film "Under The Skin"...
Mica Levi: Love http://www.youtube.com/watch?v=lggI2bQefeU |
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September 5th, 2014, 10:59 AM | #23362 |
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Last edited by Mal Hombre; September 5th, 2014 at 12:39 PM.. Reason: Oversized Image 180 x 180 max |
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September 5th, 2014, 11:03 AM | #23363 |
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September 5th, 2014, 11:54 AM | #23364 |
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65daysofstatic - Wild Light
https://www.youtube.com/watch?v=uah3yCnRPpY 65daysofstatic (often abbreviated as 65dos, 65days, or simply 65) are an instrumental electronic post/math rock band. Formed in Sheffield, England, in 2001, the band is composed of Paul Wolinski, Joe Shrewsbury, Rob Jones and Simon Wright. The band’s music has been described as heavy, progressive, guitar-driven instrumental post rock, interspersed with live drums and off-beat sampled drums akin to those of Aphex Twin, although they have continued to evolve their sound by incorporating electronic music, drum and bass and glitch music. They have been described as, “a soundtrack to a new dimension, where rock, dance and electronica are equals.”
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September 5th, 2014, 01:57 PM | #23365 |
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September 5th, 2014, 04:25 PM | #23366 |
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Moritz Moszkowski: Piano Concerto op.3 (1874)
https://www.youtube.com/watch?v=V1dDAs0fZic
Piano: Ludmil Angelov I. Con Spirito - Allegro II. Adagio III. Scherzo - Molto Vivace IV. L'istesso tempo - Allegro con spirito Moritz Moszkowski was born in Breslau on 23rd August, 1854, and began his music studies in Dresden, eventually moving to Berlin to continue his education with Kullak and Wüerst. He was an extraordinary pianist who toured extensively throughout Europe. His début in Berlin at the age of nineteen was remarkable, prompting Franz Liszt to write admiringly of him. Frederick Kitchener witnessed one of Moszkowski's recitals in England. He reported that "the playing of Moszkowski was beautiful playing; there was no attempt to astonish... a musician, not an acrobat was at the piano". According to Emil Liebling, "considered as a pianist, Moszkowski is hors de concours... Everything was done musically and with the utmost ease". Highly influential as a teacher, Moszkowski taught at the Kullak Conservatory in Berlin and later in Paris. Many Americans flocked to Europe to study with him and illustrious pianists such as Josef Hofmann were among his pupils. For a figure of such professional stature, his personal life in later years was less fortunate. After an unsuccessful marriage to the pianist Cécile Chaminade's sister, Georgette, he moved to Paris with his two children, a daughter, who died shortly after their arrival in Paris, and a son. Through some unfortunate carelessness Moritz Moszkowski lost the copyrights to his compositions during the wars of 1914, and eventually died from a painful throat illness in near poverty in Paris on 4th March, 1925. Today, Moszkowski is best remembered for a few delightful piano pieces -- the Etudes, Opu, 72, Etineelles (Sparks), Opus 36, No. 6, popularised by Hofmann and Horowitz, and his Spanish Dances, Opus 12, for piano duet. Yet he composed operas, ballets, orchestral suites, songs, concertos, and chamber music, almost all of which remain forgotten. No proper re-assessment of Moszkowski's compositions has taken place nor has anyone written a biography of this once influential teacher, pianist and composer. Most writers on music, indeed, continue to repeat the pejorative term "salon composer" when commenting on his work, an unfortunate state of affairs. Much of Moszkowski's music is written for the piano. These works are generally miniatures, always well-crafted and always very pianistic. His early song cycles show an affinity for the voice and are written in a powerful style that suggests the language of Brahms. The orchestral suites show him to be a brilliant orchestrator, with a strong grasp of polyphony. The operas and ballets show a keen understanding of theatrical music and have been performed allover the world, while the piano and violin concertos are brilliant showpieces, full of delightful melodies. Yet, despite all this musical evidence, Moszkowski is not accorded much attention and is often considered little more than a footnote in musical history. (Thanks to UnsungMasterworks for the upload and the notes) |
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September 5th, 2014, 04:26 PM | #23367 |
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September 5th, 2014, 07:18 PM | #23368 |
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September 5th, 2014, 07:44 PM | #23369 |
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September 6th, 2014, 01:27 AM | #23370 |
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