Some seeming mag. mix-ups, which can be very frustrating.
- Club International (UK) ran several sets of Lalla Dean, most of them credited to Adam Cole or Fanny (which, as noted previously, I'm fairly sure are akas). One set, however, in CIUK 09-01, 1980-01, is instead credited to Rupert Daines, and yet when those very same images were reprinted in CIUK 10-09, 1981-09, they were credited once again to Fanny.
- Something similar with Antonia Bell. Her pics. in Mayfair 19-12, 1984-12 are credited to Michael Moore and related pics. in CIUK 11-01, 1982-01 are likewise credited to Michel Moreau, but her earlier set in CIUK 10-07, 1981-07 was instead credited to Rupert Daines, despite it being clear they're from the very same (beach) sessions. There's even pics. of a different model photographed at the same sessions (i.e. group shots), Brigitte in CIUK 10-08, 1981-08, that are once again credited to Michel Moreau.
- The model Cream Cheese calls Shelley. Her first set in CIUK 12-03, 1983-03 was credited to Michel Moreau but her second set in CIUK 12-07, 1983-07 was instead credited to Rupert Daines, despite the fact that the pics. are from the same or closely-related sessions--note the yellow and white chair on the beach common to both, and in some pics. I think she's also wearing the same earrings. The white slatted beach lounger with three green strips near the top is also common to both.
- Another possible mix-up: Lee Ann Lee's set as Suzie in CIUK 12-09, 1983-09 is credited to Rupert Daines but looks very similar to the white slatted screens used in what we think are Peter Flodqvist sets, as well as the long-piled white carpet. The bed, though, is different.
- Alice Cooper's set in Mayfair 20-07, 1985-07 is credited to Peter Flodquist. A different model, Helga in CIUK 13-02, 1984-02, is photog. in the same setting--note the spirals in the black metal barrier at the edge of the balcony, the round glass-topped white metal table, and the slightly rough white plaster wall--but it is instead credited to Rupert Daines. That same setting was also used for the pics. of Debbie Boyland in Mayfair 17-04, 1982-04, once again credited to Peter Flodquist--note also the dark (blue?) pattern tiles.
I don't think Rupert Daines and Michel Moreau are akas, and nor with Daines and Adam Cole | Fanny, or Daines and Flodqvist, either. So it's just frustrating inconsistency.
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Now for a very slender possible connexion between K. K. Jones and Jack Rogers.
Both were frequently credited in Knave, and both started in that publication--
perhaps coincidentally--with the 14-07, 1982-07 issue. That coincidence should not be over-read but it is still interesting that a similar pattern happened with
Adam Cole & Fanny, with those two names also making a joint debut in a single issue of CIUK.
The possible connexion? In
Knave 17-03, 1985-03, the sets of Lesley Harvey (by K. K. Jones) and Avril Jameson (by Jack Rogers) both show what looks like the same wooden-and-cane screen--note particularly the turned wooden pieces visible across the bottom of the screen. The only difference is that in one set the screen is photographed from the other side--cane to the front rather than to the rear.
For now, however, this remains a pretty slender possible connexion.